Meet
The Cast

Marnie Breckenridge

soprano | lucia

American soprano Marnie Breckenridge has earned international acclaim as a go-to performer of a vast repertoire spanning from bel canto through contemporary and newly commissioned works. A leading figure in modern opera, she is celebrated for her deeply poignant character portrayals, intelligent musicianship, and remarkable vocal versatility. Critics have praised her  “bell-like ring over an enormous range and personality spilling from every note” (The Globe and Mail), “lovely soprano” voice (The New York Times), and “lyrical poignancy and dramatic power” (The Chicago Tribune). Highly sought after by today’s most gifted composers, Breckenridge has originated roles in nine world-premiere operas and has recorded extensively with living composers. She received the DORA Award for “Outstanding Performance by an Individual in an Opera” (2020; re-nominated in 2025) for Jacqueline, a role she helped create with composer Luna Pearl Woolf and librettist Royce Vavrek. The opera – written for Breckenridge and cellist Matt Haimovitz – explores the life of Jacqueline Du Pré (Tapestry Opera, PDX Festival, WestEdge Opera). Other favorite roles include; Lucia in Lucia di Lammermoor (Orlando Opera, Indianapolis Opera, & Mobile Opera), Mother in Little’s Dog Days (LA Opera & Ft. Worth Opera, Prototype Festival), Sierva Maria in Peter Eötvös’s Love and Other Demons (Glyndebourne Festival Opera), Kathie in Getty’s opera Goodbye, Mr. Chips (film), Susannah in Laura Schwendinger’s Artemisia (Left Coast Ensemble), La Princesse in Philip Glass’ Orphée, title role in Milhaud’s Médée, and Margarita Xirgu in Golijov’s Ainadamar (Opera Parallèle), her Ravinia Festival debut in Jake Heggie’s To Hell and Back alongside Patti LuPone

(Philharmonia Baroque), and Cunegonde in Candide (English National Opera, Prague State Opera). Breckenridge’s recorded legacy includes Everyone Sang (David Conte), The Layers and Mortality Mansions (Herschel Garfein), There Is Another Sky (Henry Mollicone), Summer Songs & In Real Life (Robert Paterson), Arab Love Songs (Richard Aldag). She is also featured on Dmitri Hvorostovsky’s Heroes & Villains, New World Records’ Victor Herbert Collected Songs, and her own holiday album, Happy Golden Days, available on all major streaming platforms.



Arturo Chacón-Cruz

Tenor | Edgardo

Hailing from Sonora, Mexico, Arturo Chacón-Cruz is considered one of the foremost operatic tenors of his generation, performing over 60 roles across 30 countries on stages from La Scala to Carnegie Hall. He has collaborated with filmmakers Sofia Coppola and Woody Allen, and performed for royalty and heads of state. Recent engagements include Il Trovatore at the Metropolitan Opera, Werther in Liège and Buenos Aires, and Carmen in Las Palmas. In 2025/26, he appears in Il Trittico in Houston, La Bohème in Palermo, Tosca in Pamplona, and La Traviata in New York.

Greer Grimsley

bass-baritone | Raimondo

GRAMMY® Award nominee Greer Grimsley is internationally recognized as one of the most prominent Wagnerian singers of our day. His Wotan has graced the stages of Deutsche Oper Berlin, Gran Teatre del Liceu, San Francisco Opera, New National Theatre Tokyo, and Seattle Opera, among many others. Recent highlights include Wotan in Die Walküre at The Atlanta Opera, Scarpia in Tosca at Palm Beach Opera, and The Captain in the new Mary Zimmerman production of Florencia en el Amazonas at the Met. This season he returns to the Met for the house premiere of Jeanine Tesori’s Grounded and sings the title role of Der fliegende Holländer with Fort Worth Symphony.</p

Daniel Scofield

baritone | enrico

Daniel Scofield has established himself as a leading dramatic baritone, praised as “destined for the world’s major Wagner stages.” In this 2025/26 season, he garnered critical acclaim for his Wotan in Die Walküre at Opéra de Monte-Carlo following his debut last spring in the title role of Der fliegende Holländer where reviews highlighted his “high range, which is radiant and sonically impressive.” (OperaJournal.CZ)

Other recent highlights include role debuts as Jochanaan (Salome) in St. Louis, Golaud (Pelléas et Mélisande) in Baltimore and Wagner’s Dutchman at Prague State Opera, as well as his return to Lyric Opera of Chicago as Tonio/Alfio (Pagliacci/Cavalleria rusticana). He has also appeared in major roles such as Escamillo (Carmen), Marcello (La bohème) and Scarpia (Tosca).

A former finalist of the Metropolitan Opera Laffont Competition, Scofield is also an accomplished concert artist, having appeared with orchestras nationwide in repertoire ranging from Haydn and Handel, to Britten, Stravinsky, and Mahler.