DIDO AND AENEAS: A LOVE POWERFUL ENOUGH TO DEFY KINGDOMS, YET TOO FRAGILE TO ESCAPE DESTINY, BROUGHT TO LIFE IN A FULLY IMMERSIVE EXPERIENCE

Dido&Aeneas

FEB 12-13, 2027

Dido and Aeneas: An Immersive opera

Experience one of opera’s greatest masterpieces as Florida Grand Opera presents Henry Purcell’s Dido and Aeneas. This timeless tale follows the tragic love story of Dido, Queen of Carthage, and the Trojan hero Aeneas, whose fated departure sets in motion a heartbreaking conclusion. Filled with unforgettable music, haunting choruses, and the iconic aria “When I am Laid in Earth,” Purcell’s masterpiece remains one of the most moving works in the operatic repertoire.

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Maria Todaro

stage director

Since 2024, Maria has served as CEO & General Director of Florida Grand Opera, the oldest performing arts institution in Florida, based in the Miami/Fort Lauderdale area. Under her leadership, the company has embarked on an ambitious artistic and organizational renaissance, expanding its community impact while reimagining the role of opera in the 21st century.

Maria is also the co-founder of the Hudson Valley International Festival of the Voice (formerly the Phoenicia International Festival of the Voice), which she established in 2009 in the Catskill Mountains of New York.

A former opera singer and pianist herself, Maria brings a performer’s insight to every production and is deeply committed to mentoring the next generation of artists.
In 2026, Maria made her debut at the prestigious Puccini Festival in Torre del Lago, serving as both Stage Director and Costume Designer for a new production of Tosca, presented in the composer’s hometown. In 2027, she will make her debut at Teatro La Fenice in Venice, directing a brand-new production of Norma, entirely conceived and designed by Maria Todaro.
Throughout her career, Maria has become known for productions that combine strong dramaturgy with bold visual storytelling.

Director's Notes

This is meant to be an invitation to travel in time — to visit the Carthage and Troy of Henry Purcell’s imagination, through his lavish seventeenth-century music.

In this Dido, we deliberately blur the limits of the fourth wall and invite the audience to participate, passively. The scenes will be set in a circle; the characters will emerge in front of you, surprise you, stand in the very center of the audience. Dido and Aeneas is the perfect work to offer that unique immersive experience — it is poetic, beautiful, complex, and yet it speaks of two people in love who must make a difficult decision, a very modern theme we can all recognize in ourselves.

Trinity Cathedral was the perfect setting for this experimental production, as its seating can be made flexible and modifiable, allowing enormous creativity in how and where the artists appear.

Come for a moment of sheer magic, amazement, and beauty. You will not forget this.

— Maria Todaro, General Director, Florida Grand Opera

A Note to Our Audience

The audience is required to wear white, beige, or very pale attire, for the production’s lighting design to have its full effect. Please also be advised that the performers will move through and perform in close proximity to the audience, and that the production uses an atmospheric water-vapor (haze) effect.

Production Details

At the royal court of Carthage, Dido, the young widowed queen, struggles against her growing love for Aeneas, the Trojan prince who has landed on her shores after fleeing the fall of Troy. Encouraged by her confidante Belinda, Dido allows herself to yield to her feelings, and the court celebrates the union of the two with a royal hunt.

Unseen by the lovers, a Sorceress and her coven of witches plot Dido’s ruin, envious of Carthage’s happiness. During the hunt, the Sorceress conjures a storm and sends a spirit, disguised as the god Mercury, to command Aeneas to abandon Dido at once and set sail for Italy, where the gods have decreed he must found a new Troy — the city that will become Rome.

Torn but obedient to what he believes is the will of the gods, Aeneas prepares his fleet to leave. When Dido discovers his intention, she is devastated; even when Aeneas relents and offers to defy the gods and stay, Dido, heartbroken that he could have considered leaving her at all, rejects him and sends him away. Alone, abandoned, and with nothing left to live for, Dido bids Belinda farewell and dies, sung to Purcell’s celebrated lament “When I am laid in earth,” as the chorus calls on cupids to scatter roses over her tomb.

  • Stage Director – Maria Todaro
  • Music Director – Jared Peroune
  • Costumes – Camilla Haith
  • Assistant Stage Director – Kali Fong
  • Lighting Design – Aneil Rampersad
  • Violin I – TBD
  • Violin II – TBD
  • Viola – TBD
  • Cello – TBD
  • Double Bass – TBD
  • Guitar – TBD
  • Continuo – Jared Peroune